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She even refers to herself as an “emotional peanut allergy” when in a relationship | Silverlilymoon Photography

She even refers to herself as an “emotional peanut allergy” when in a relationship

She even refers to herself as an “emotional peanut allergy” when in a relationship

Portman, who is rapturously photographed throughout, gets to showcase her underappreciated comedic timing. She evinces a nice rapport with Kutcher, who can pull off rakish, easygoing, himbo banter almost better than anyone else in his generation. Supporting cast members deliver uniformly strong performances as well, especially Kline, who late in the film pulls off a rather remarkable seriocomic confession while his character is strung out on painkillers.

Main cast: Natalie Portman, Ashton Kutcher, Greta Gerwig, Kevin Kline, Lake Bell, Olivia Thirlby, Cary Elwes, Chris Bridges, Jake Johnson, Mindy Kaling, Ophelia Lovibond

Is it possible to smash bonk the living daylights out of someone on a regular basis without letting emotions enter the fray? That’s the central conceit at the heart of Ivan Reitman’s deliciously naughty and funny sex-com No Strings Attached, which pairs up Ashton Kutcher and Natalie Portman to fine effect. Hilarious observational humour interspersed with occasional poignant moments provides a winning combination that is only let down by too much meandering in the build-up to the climax. There’s also the added bonus of Kevin Kline in his funniest comic portrayal in yonks.

He soon gets jiggy with an old friend called Emma (Portman) after a drunken night out – but discovers that she is after casual sex and no more

Kutcher plays Adam, a good-natured guy troubled by his famous dad (Kline) canoodling with his ex and secretly yearning for an emotional connection. So the ground rules are laid down, precluding lovey-dovey stuff like snuggling, but can Adam keep his feelings constantly wrapped up while frequently unleashing the beast from his loins? As if.

The sleazy tones of Color Me Badd’s 1991 smash ‘I Wanna Sex You Up’ kick off proceedings and set the tone perfectly for the antics that ensue

Ghostbusters director Reitman ensures the intriguing premise zips along in its early stages, punctuated by juicy one-liners and cringeworthy moments for the characters. “If there’s one thing you learn after two failed marriages it’s how to eat kitty,” muses Kline’s faded television star to his embarrassed son. The smut factor is unashamedly served up, which proves to be far more effective than the tedious slapstick that litters generic rom-coms. Not only are we treated to Emma’s amusing assessment of Adam’s “carefree” penis, but we’re also given the most outrageous use of a Leona Lewis song ever. Seriously, you’ll never hear ‘Bleeding Love’ in the same way again after seeing No Strings Attached.

Kutcher, whose haircut in the movie makes him occasionally resemble Martin Fowler from EastEnders, excels in a role that is far trickier than it appears to be. After all, it’s not easy to have regular casual sex with Natalie Portman and still have the audience feeling sorry for your plight! A late plot twist takes the movie into darker directions, which allows Kutcher to shed the emotional layers of his character in a similar manner to his work in the underrated gem Spread. Similarly, Portman does an excellent job in convincing us that Emma isn’t a heartless cow despite her treatment of Adam. Together, they have superb chemistry and the development of their characters benefits from a script that feeds us enough background information about their upbringing to understand their motivations.

The supporting cast, spearheaded waplog prices by Kline, Ludacris and Mindy Kaling from the American version of The Office, are often on hand to liven up proceedings whenever events threaten to become a bit too sombre. However, they are sorely missed when the spotlight focuses on the ‘will they, won’t they’ romantic situation that Adam and Emma become embroiled in towards the end. The script simply runs out of steam as it frantically scours for a route in which to avoid a conventional rom-com ending while still providing that crowdpleasing element.

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